Last Friday, the basement of the Strongroom Bar in Shoreditch was to hold a highly-anticipated event for new and upcoming artists in London’s indie-music scene, ran by university students as part of their final project. The room was transformed into a haven for new music discovery and proved that the underground music community is pulsing with promise, as this intimate night brought together three vastly different but equally magical acts. From stripped-back guitar anthems to funk-inspired soul and classic chaotic indie rock, the night did not disappoint.
Opening the evening was same. – a brother duo that could have easily stepped out of a 1980s VHS tape, all long hair, varsity jackets and raw charm. Jimmy and Harry Morris brought nothing but two guitars and pure charisma, turning their minimalist setup into a set bouncing with energy. The crowd sang along passionately, some dancing and others just swaying and head-bopping, appreciating their authentic and raw sound. The brothers stepped off stage mid-set and played in the empty space at the front of the crowd, which made their performance feel like an even more intimate jam session between a group of friends. There was a small merch stand at the side of the room displaying the other artist’s merchandise, but instead of generic band tees, same. offered upcycled vintage pieces with their logo embroidered. It was a small detail that perfectly matched their vibe: DIY, distinctive and definitely on the rise. In conversation with the brothers, they explained how they are being flown out to LA just the next day, invited by industry professionals to Stagecoach Festival, a sign that they are already gaining international attention.
Continuing the good vibes was MYAH, 21-year-old pop girl from Surrey whose smooth vocals filled the dingy room with pure warmth. She covered Olivia Dean’s Echo as well as a rendition of Dean’s unique cover of Millionaire, which had most audience members singing along and dancing. She also played her first single Nothing Like This, a fan favourite, as well as her most recent release Can I Call You Jane? in which Myah sings about how dating has become boring and underwhelming, to which she was met with cheers from her supporters in the crowd. After her set, when asked about influences, she explained how she was brought up on all kinds of music, from Beyonce to Fleetwood Mac, explaining her funk-infused yet chart-pop sound. She also talked about her plans for the future, hoping to release a disco-funk album with a modern twist. For now though, there is an EP on the horizon consisting of her current songs as well as some currently in the works. Myah’s presence on stage is magical, lighting up when she performs, saying her favourite part is “letting go and expressing herself unapologetically.” One fan told her, “watching you made me feel free” – a compliment she says she will never forget.
Closing the evening in full theatrical flair was Oli Harris, kitted out in vibrant clown makeup matched with a frilly collar, tearing through a unique and fun indie-inspired rock set that sent the crowd into a frenzy. Playing hits like Chameleon Man, Blu, and the fiery Product of Your TV which had fans jumping, singing, and shouting and feeding off his brilliantly chaotic energy. With his sharp and distinctive voice cutting through the noise, the crowd begged for one more song, which the band could not deny.
With a crowd packed out with students, music lovers, and family supporters, the Off The Record showcase was more than just live music – it was a mere glimpse into the next wave of UK talent.
